New Routines

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Glych

I’ve been busy on the back-end, working on code and revenue streams. I’ve organized my Code Academy progress and Animation progress into a “Projects,” folder. I’ve also included a comics page and a new section for daily sketches. My friend Mary Longshore decided to do a drawing-jam like we used to in college to cram for classes. As part of that en-devour, I’m re-branding Glych’s Experiment as a simple daily sketch. I’ll be uploading the old archives to The Experiment as I can… They’ll be out of order and with no reason, but them’s the breaks. I’ve also adjusted my previously updated routine with a much simpler one.

In April I’ll be adding a storyboard portfolio to the site as well as some more work on the Animated project that Greg Douglas and I have been up to. It’s pretty exciting.

Glych’s Daily Routine

 

mee-sm-th 6am – 7am Wake up. Make Ian’s lunch, feed cats, dress. Water plants. Breakfast.
candlelight-th 7am – 8am Morning Workout. Inspiration. Clean up. Laundry.
ducky-th 8am – 9am WORK. Warm up sketches.
sebastien_views_art-th 9am – 12pm WORK. P2P Code. Code Academy.
wicket-th 12pm – 1pm EAT. Lunch. Break.
tree_from_afar-th 1pm-4pm WORK.  Paint/Draw/Storyboards.
arttable_in_waiting-th 4pm-6pm Break. Eat. Post sketches and daily work.
grass_and_rocks-th 6pm-12am WORK Write something.

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Comic Characters and John Troutman

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So, there is an old saying in Hollywood-

“Everything you have learned in life you will re-use later in life, so don’t forget anything -ever- if you can help it because you might need it later.”

This goes for people, places, props, techniques, jokes- anything… So let’s focus on people for a second.

This is a Guest Comic for the Rogues of Clwyd-Rhan by Reinder Dijkhuis by Frank "Damonk," Cormier who is a former member of the Four-Toon Tellers.

This is a Guest Comic for the Rogues of Clwyd-Rhan by Reinder Dijkhuis by Frank “Damonk,” Cormier who is a former member of the Four-Toon Tellers.

The Four-Toon Tellers

While I have worked in and out of Hollywood for a time, I started in webcomics, online, with a half-a-million other creative people out there. During the time we were all making comics on Keenspace, a small group of cartoonists banded together, creating the Four-Toon Tellers to help promote and distribute each other’s work online.

The gambit worked. Over time, they added a fifth man- John Troutman, their evil nemesis. Now John wasn’t actually their nemesis, but it was fun to pretend. They had their fun, search engines changed encouraging more people to find new comics through them instead of sites like Keenspot. Portal sites like Keenspace were no longer a requirement for gaining an audience and groups like the Four-Toon Tellers were no longer required for keeping it.

So the group dispersed. Never being a part of the official group, I liked to follow their updates and -admit- I was a fan of every comic produced by it’s members. Paul Rouston (who is apparently doing body painting now), Frank “Damonk,” Cormier, Brandon “Scrubbo,” Sonderegger, Joe Nadeaus, and Meagan Quinn (Cormier)… and, of course, John Troutman. My life went it’s own direction and I stopped actively reading webcomics myself. I stopped producing them…

Comicpress

Comicpress

Archives

In the time that I was gone, things changed. The portal changed from Keenspace to Comic Genesis. Modern Tales kept tweaking, Drunk Duck was bought by a film company, and Comicpress was created for WordPress. I never really operated a WordPress site but I kept my eye on Comicpress to see what it could do. I’m glad I did because the original designers of Comicpress stopped supporting the plugin for WordPress. I played with it but never consistently updated anything using this system. I guess it was riddled with problems which is why the project was abandoned. One of the Comicpress designers took up the banner himself and designed Comic Easel. Frumph is a very talented programmer and his code is pretty easy to follow, but he suffers from -what I like to call- “expert-expectations,” from those who use his plugin. We all do it sometimes… We forget people have to learn along the way… We assume they should be able to do a task… So, for as helpful as his forums have been for me, sometimes I’m just left scratching my head as to how to get it to look right.

My most recent head-scratching moment was when I was stuck trying to figure out the character pages for Life of Glych and No Stereotypes. Frumph’s code allows for an automated list to be generated with interesting information like the first appearance and a description… but “out of the box,” the code doesn’t display any image or ability to upload an image to show up. I scoured the internet, I came across an obscure reference to the problem on the ol’ Comicpress website in the comments that pointed me to Mary Elizabeth’s Sock and I had pulled some code off of the website using Chrome’s developer tool (Thanks AJ!).  But it didn’t make much sense to me at the time, as I haven’t dabbled in CSS for over 2 years now… So I gave up… I look up at the creator of the comic for hope, a prayer that this person might help me…

…And it’s John Troutman… Huh? I wonder if he remembers me from Keenspace?

Photo of John yanked from the Internet.

Photo of John yanked from the Internet.

The Ever-Ready Troutman

Now, I had lost contact with him over the years. I knew he wrote more than he drew these days and studied English at college… I had heard he became a teacher in Phoenix  Az, but I didn’t know anything more than that. It was crazy that he’s still plugging away at comics! And I’m blown away.

*types, tappity, tap tap, tip tap, types*

Help me Obi-John Kenobi, you’re my only hope.. No… That’s not right.

Erases…taps. Hmmm…

Hi John-

Long time no chat. I had a quick question about comic easel you had solved on your site and was just wondering if I could pick your brain. I pulled this from your site using Chrome’s web developer tool:
Ah those are done with CSS, say for example your characters name is “Monkey Todd” .. and the slug is monkey-todd, well the css element to use to add the picture to the casts page is .character-monkey-todd { } so .character-monkey-todd { background: url(‘/images/bios/monkey-todd.jpg’) no-repeat; }
<div></div>
media=”all”
.cast-pic {
float: left;
width: 150px;
height: 150px;
background-color: #cedfe3;
border: solid 1px #282828;
-moz-box-shadow: 0px 1px 2px #000;
-webkit-box-shadow: 0px 1px 2px #000;
-khtml-box-shadow: 0px 1px 2px #000;
box-shadow: 0px 1px 2px #000;
}
.character-basil-flint {
background: url(‘http://panel2panel.com/Kuimages/cast/basil.png‘) top center no-repeat;
}
My question-
Did you have to hand-add in each character image or were you able to upload them with the character page?
Thank you for your time and attention. Hope all is good in your neck of the woods.
And I get a reply:

Heya, Amber!  I was kind of a guinea pig for Easel, so I know the ins and outs fairly well.  While empty boxes for each character’s portrait pop up automatically as part of the [ cast-page ] code, each portrait does have to be defined individually.  I first created a folder entirely outside of WordPress on my server (/images/cast/) and uploaded all the portraits to it.  Then I defined each portrait using the following code in CSS:

.character-amanda-beaumont {
background: url(‘http://panel2panel.com/Kuimages/cast/amanda.png‘) top center no-repeat;
}

.character-andie-thompson {
background: url(‘http://panel2panel.com/Kuimages/cast/andie.png‘) top center no-repeat;

}
.character-basil-flint {
background: url(‘http://panel2panel.com/Kuimages/cast/basil.png‘) top center no-repeat;
}
Etc, etc.  Obviously, each “.character-name” part refers to the character’s tag in Easel.
I hope that helps!
Ding*

Ding*

And thus my problem was solved. Still a bit of hand-coding, but not nearly as bad as I had figured. It took some stumbling, but I finally got all of the images working now for the two character pages. So, to John Troutman! You’re an unsung hero, son, and I salute you! Thank you!

You can view the working character pages for No Stereotypes and Life of Glych here.

I can’t give him money to pay him back. But what I can do is point out his Facebook page and how awesome his work has become over the years. unlike me, all of his archives are available online and are completely linkable from his site. So go, check it out, be amazed, come back and wonder what the hell you were doing here in the first place, then go back and continue your amazement. Also, funny writing and good storytelling. So there.

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Header up!

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I worked on the Header for all of the different sub-directories most of the day and got most everything working. There are some weird outlines around the images and I still have to generate the rollover images, individual comic titles, and work on some other formatting, but a big hurdle was tackled today.

Gimpy

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I’ve been using Gimp because I haven’t been able to afford a new version of Photoshop for some time. Someone told me that they’re offering outdated versions of the program for free (or at least a reduced rate) but I haven’t had an opportunity to fix it yet. Gimp, for what it is (an open source free image-modifying program created by individuals and volunteers), is awesome… but it’s not Photoshop. Photoshop is simply a more powerful tool. I feel like I’m limping a bit, but what are you going to do when you want to move forward? When my situation changes, I’ll let you know, but for now, new digitalart is going to be extremely limited.

Mflat

mflatI’ve been using the MFLAT theme for WordPress, but modifying it to meet my needs. I don’t know how far from the original template it will get, but I like where it is headed. There is some CSS work ahead of me, so if you know a bit about any of that, I would appreciate the advice. Until then, I’m trudging forward.

Archives

archiveSoon the current comic archives are going to go away and be replaced by new archives on the new sub-directories. This means some stuff will be re-uploaded while other stuff will be ignored. No Stereotypes is coming back and I have a plan of attack ready for that. Expect a new update tomorrow with more information.

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What have I been up to?

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Working on a painting commission.

Working on a painting commission.

I’ve been diligently working on getting the new header on all of the different sub-directories and the main page. Working offline, and testing the code and links to make sure they work ahead of time should save me some headaches later on. I realized I work well with a disciplined mindset… Being your own boss means having to whip your own back at times to get motivated. On that note, starting next week, I will begin clocking my hours and posting them here along with a daily re-cap of my progress on any project, code, writing, or otherwise. This way I can share with you more readily what I’ve done and it forces me to update.

It’s a good thing.

The corner of the studio with a bit of reference.The corner of the studio with a bit of reference.

The corner of the studio with a bit of reference.

Things mentioned are Freedcamp.com, which is a free alternative to Basecamp.com,  a business development and management tool I used at my last day-job. Basecamp has some good tools, but Freedcamp gives me all of the same ones for the wonderfully attractive price of “Free.” It also contains a time-clock feature, which I’m going to start using in order to judge myself. Pictured throughout this post are images of my studio as it stands today. I have a lot more work to do on the painting. As I continue towards the final product, I’ll keep you all updated. I know I’ve been quiet. I plan on changing that in the future. I thought this morning, “it is not what you have done yesterday but what you do tomorrow that defines you.” Tomorrow, expect another post.

The desk, surprisingly clean, with tools.

The desk, surprisingly clean, with tools.

So, here is my schedule, since I’m in a sharing mood. I hope it helps other artists try and form their own schedule and daily routine. We creative’s have to stick together:

Code Gremlin from the old Glych's Experiment comic strip.

Code Gremlin from the old Glych’s Experiment comic strip.

Glych’s Daily Routine

 

mee-sm-th 6am – 7am

Wake up. Make Ian’s lunch, feed cats, dress.

candlelight-th 7am – 8am

EAT. Breakfast. Ian leaves. Morning Workout. Inspiration. Reddit. Facebook.

ducky-th 8am – 9am

WORK. Emails (business). Check in with Freedcamp. Plan day’s work.

sebastien_views_art-th 9am – 12pm

WORK. Clock in, Code/Writing. Not play.

wicket-th 12pm – 1pm

Clock out. EAT. Lunch. Break.

tree_from_afar-th 1pm-3pm

WORK. Clock in. Paint/Draw/Storyboards Not play.

arttable_in_waiting-th 3pm-4pm

WORK Post online day’s work. Facebook. Blogs. Twitter.

grass_and_rocks-th 4pm-5pm

Clock out. Chores.

creepy_doll-th 5pm-6pm

EAT. Dinner. Dishes.

murderapolis-th 6pm-9pm

Me time. Off work.

out_of_focus_texture-th 9pm-6am

SLEEP.

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There’s only so much time…

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Dun dun DUUUNNN!!!

Dun dun DUUUNNN!!!

It’s a new year and a new plan! In the past, I’ve been doing back-end stuff in secret, thinking to myself that I didn’t have much to show for my effort because I felt like I was always treading water. In private conversations with friends and showing them what I have been working on, they all tell me I need to share it and keep people up to date; that seeing the progress and growth of projects like these is the best method to get other people as excited about them as I am.

I am also working on Panel2panel and getting it back off the ground. In December, Ciaran Benson with Transformative Business Group aided me immensely in setting up several subdomains and the beginning code for a universal header to bind them all. While Ciaran was able to get the preliminary header working on the Life of Glych subdomain, there is little there but a theme and the header to show for it. Building blocks, my friend. You must build the foundation before you can raise the tower. So, click on that link and see the wonderment of a semi-finished header! Ciaran really is amazing at what he does and I have nothing but nice things to say about him and the company.

My short term goal is to get the header working uniformly across all of the sites. I hope to complete this before Monday January 7th, but we might run into trouble. From there, I will begin to migrate the archives from Panel2Panel to their respective new homes, keeping you all updated in the meantime.

 

Cheers!

 

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Going up?

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Building Construction

A building under construction is a wonderful metaphor

Website changes are in the future.

Updates on Panel2panel have been so inconsistent over the last year for a variety of reasons. Excluding the personal, which needed to be dealt with in their own time, another boundary against consistent updates simply came down to my available time to do so. I have so many projects I want to do that no two easily fit into the same category. For my purposes, showing everything off might have lead to a confused mess of archives that would  only have to be messed with later. I upgraded to a WordPress framework to alleviate my updating schedule and coding needs. I ran into a similar problem as my HTML days; to manipulate the system to do my bidding and display the information the way I wanted , I had to either learn a masterful level of PHP, write my own proprietary system, or “fake it.” Considering my time, energy, and understanding of PHP, we opted to “fake it.”

What will change?

This means the majority of the current archives will migrate to a new subdomain. Each subdomain will have articles that post to the main site’s blog, and we’re working on a universal header across all sites. By January 1st, all current archives should be moved over as well as old archives of some of my comics will be posted in their own subdomain.  I have set a schedule that will include updates of scraps, sketches, and miscellaneous other projects I’m involved with. Also, a new production diary on an exciting animation project should commence.

Did you say Animation?

I did say that, yes, but you’re going to have to wait until after January 1st to learn more.

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Rebuilding again?

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In order to display everything in the way that I would like, my tech-savvy friends are telling me I have to write a new proprietary system from scratch. I’m not prepared to do that, so we came up with a decent compromise. This means that some of the archives might disappear as they will be shuffled around to compensate for the new behind-the-scenes layout.

For now, courage.

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